Restaging Greek Artworks in Roman Times

TABLE of CONTENTS: Introduction, Gianfranco Adornato, Irene Bald Romano, Gabriella Cirucci, and Alessandro Poggio — Part I. The Athena Nike of the Fondazione Sorgente Group: A Reexamination of the Glencairn Athena/Minerva and its Relationship to the Fondazione Sorgente Group Athena Nike, Irene Bald Romano — A New Interpretation of the Fondazione Sorgente Group Athena Nike as Part of an Athenian Pediment, Olga Palagia — Athena Nike and Athena’s Nike, Kenneth Lapatin — Athena, Nike, Athena Nike: Some Iconographic Considerations, Arne Thomsen — From Athena Nike to Nike Apteros: Literary and Epigraphical Sources, Eva Falaschi — The Iconography of the Winged Menrva on Etruscan Engraved Bronze Mirrors from the 5th to Early 3rd Centuries BC, Alexandra A. Carpino — Part II. The afterlives of Greek artworks: The “Greek Originals” in Rome: An Overview, Gabriella Cirucci — Greek Sculptures in Roman Contexts: The Case of Campania, Marina Caso — Greek Sanctuaries in Roman Times: Rearranging, Transporting, and Renaming Artworks, Richard Neudecker — “More than Words”: Restaging Protogenes’ Ialysus. The Many Lives of an Artwork between Greece and Rome, Eva Falaschi — Experiencing Art in the Saepta: Greek Artworks in a Monumental Space of Ancient Rome, Alessandro Poggio — Made by the Athenian Κλεομένης Κλεομένους: The Work of a Greek Sculptor Displayed in Rome, Linda Pozzani — Body Models in Roman Nude Portraits: Restaging Polykleitos?, Mariateresa Curcio — The Dilemma of the Prima Porta Augustus: Polykleitos or not Polykleitos?, Gianfranco Adornato — Afterword: The Function of Greek Artworks within Roman Visual Culture, Christopher H. Hallett — Credits — Index.