Philosophy and Engineering Education: New Perspectives, An Introduction - John Heywood,William Grimson,Jerry W. Gravander - cover
Philosophy and Engineering Education: New Perspectives, An Introduction - John Heywood,William Grimson,Jerry W. Gravander - cover
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Philosophy and Engineering Education: New Perspectives, An Introduction
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Descrizione


All educators bring to their work preconceived ideas of what the curriculum should be and how students learn. Seldom are they thought through. Since without an adequate philosophical base it is difficult to bring about desirable changes in policy and practice, it is necessary that educators have defensible philosophies of engineering education. This point is illustrated by recent debates on educational outcomes which can be analysed in terms of competing curriculum ideologies. While these ideologies inform the development of a philosophy of engineering education they do so in light of a philosophy of engineering for such a philosophy focuses on what engineering is, and in particular how it differs from science. This is addressed in this study through consideration of the differences in the modes of abstraction required for the pursuit of science on the one hand, and the pursuit of engineering design, on the other hand. It is shown that a philosophy of engineering is not a philosophy ofscience or a philosophy of engineering education, but it is from a philosophy of engineering that a philosophy of engineering education is drawn. Uncertainty is shown to be a key characteristic of engineering practice. A way of formulating a philosophy of engineering is to consider it through the classical prism that splits the subject into five divisions, namely epistemology, metaphysics, logic, ethics aesthetics. Additionally, "behaviour" also characterizes the practice of engineering.

Dettagli

54 p.
Testo in English
235 x 191 mm
9783031037511

Conosci l'autore

Foto di John Heywood

John Heywood

(Londra? 1497 ca - Malines, Belgio, 1580 ca) poeta e drammaturgo inglese. Imparentato con Th. More, ne assimilò le idee e l’interesse per l’arte drammatica. Compose interludi comici (dialoghi allegorici alla maniera dei drammi medievali, con elementi farseschi e soggetti contemporanei, che precorrono il teatro elisabettiano): Il dialogo fra Intelletto e Follia (A dialogue concerning Witty and Witness, 1532), La commedia dell’amore (The play of love, 1533) e il celebre I quattro P. (The four P’s, 1544), una disputa con conclusione misogina rappresentata forse a corte nel 1520. Scrisse inoltre ballate, epigrammi e un’allegoria in versi, Il ragno e la mosca (The spider and the fly, 1556), in cui si criticano le carenze dell’ordinamento giuridico inglese.

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