Dark Renaissance

**A New York Times Book Review Editors' Choice A Kirkus Reviews, The Economist, The New Yorker, Library Journal, BookPage, Christian Science Monitor, and Chicago Public Library Best Book of 2025 One of the Washington Post's "Notable Works of Nonfiction" of 2025 One of NPR's "Books We Love" of 2025 One of Bookbub's Best Nonfiction of 2025 Featured in the Wall Street Journal Guide to Holiday Gift Books “A rigorous and sparkling exploration of what makes an artist. Essential and addictive reading.” —Maggie O'Farrell, author of Hamnet Poor boy. Spy. Transgressor. Genius.** In repressive Elizabethan England, artists are frightened into dull conventionality; foreigners are suspect; popular entertainment largely consists of coarse spectacles, animal fights, and hangings. Into this crude world of government censorship and religious authoritarianism comes an ambitious cobbler’s son from Canterbury with a daring desire to be known—and an uncanny ear for Latin poetry. A torment for most schoolboys, yet for a few, like Christopher Marlowe, a secret portal to beauty, visionary imagination, transgressive desire, and dangerous skepticism. What Marlowe seizes in his rare opportunity for a classical education, and what he does with it, brings about a spectacular explosion of English literature, language, and culture. His astonishing literary success will, in turn, nourish the talent of a collaborator and rival, William Shakespeare. Dark Renaissance illuminates both Marlowe’s times and the origins and significance of his work—from his erotic translations of Ovid to his portrayal of unfettered ambition in a triumphant Tamburlaine to Doctor Faustus, his unforgettable masterpiece about making a pact with the devil in exchange for knowledge.