Fugitives, The

Jeff Engel is trained to notice what others overlook, but nothing in his experience prepares him for a city that shouldn’t exist and a police force that claims absolute certainty about guilt. In this future world, behavior itself is treated as evidence, and deviation is enough to justify pursuit, punishment, and worse. Engel is quickly pulled from observer to participant as the city’s methods close in around him. As the hunt accelerates, Engel begins to understand that the danger isn’t just the authorities or the technology they trust. It’s the comfort they take in believing their systems cannot be wrong. With every step forward, Engel must choose whether to protect himself by staying silent or intervene in a process that no longer allows doubt. The Fugitives moves with mounting tension, blending procedural science fiction with a quiet moral reckoning. Malcolm B. Morehart builds a world where efficiency replaces judgment, and where fear—once quantified—becomes a weapon. The story presses its central question without spectacle or sermon, leaving the listener to sit with the cost of certainty. Malcolm B. Morehart was an American science fiction writer active in the mid-20th century whose work appeared in magazines such as Imagination and Fantastic Adventures. Though his published output was limited, stories like The Fugitives reflect a sharp interest in social control, authority, and the uneasy relationship between technology and justice—concerns that place his work firmly within the tradition of psychologically driven speculative fiction.