The Gospel According to Water

Edizione in vinile
Joe Henry annuncia il suo nuovo album The Gospel According To Water su earMUSIC.
Nella sua carriera trentennale, il vincitore di tre Grammy Joe Henry ha lasciato un’impronta indelebile e unica nella musica popolare americana. Conosciuto per la sua ricerca sulle esperienze umane, Henry è un narratore iper-letterato, oscuro, feroce e pieno di speranze.
Joe Henry ha collaborato con T Bone Burnett, Ornette Coleman, e Billy Bragg con il quale è stato nominato come “Duo/Group of the Year” dall’Americana Music Association per il loro album collaborativo Shine A Light: Field Recordings From The Great American Railroad. In qualità di produttore, ha lavorato con Bonnie Raitt, Elvis Costello, Rhiannon Giddens e Solomon Burke e molti altri,e ha scritto colonne sonore per numerosi film, tra i quali Jesus’ Son, Knocked Up e Motherhood. Nel 2013, Algonquin Press ha pubblicato, Furious Cool: Richard Pryor and the World that Made Him, un libro scritto da Joe e da suo fratello Dave Henry.
Riguardo a The Gospel According To Water, Henry afferma:
“Come 15 November, I will be releasing a new album—my 15th studio offering as a solo act. The album is called The Gospel According To Water. It was recorded over two days this past June, and fairly by accident, when I thought I was merely making demos of thirteen new songs ahead of forgetting them––all but two written between Valentine’s and Father’s Day; all having flowered from the black earth of recent experience––namely a cancer diagnosis late last fall that left me reeling—though, as well, set into motion many blessings and positive shifts in my life, as well as an unprecedented songwriting flurry. With only a handful of friends playing in support, I entered the studio and tore through these songs with determination and abandon, then went home. I had let nothing clutter or distract me from the essential and true heart of these songs; and upon waking the morning after, I listened and understood that something had transpired that was more than I’d bargained for; that the songs as articulated had sparked an ember that somehow remained bright and alive before me, moving beyond my expectations. I unexpectedly heard the songs as complete, and vividly so; and knew that the casual circumstances had not limited my expression but in fact liberated me from the cloying aim for posterity that can make weighty any session—and landed me instead in a place both unencumbered by the past and unattached to futures. Though they have all grown out of darkness, I don’t believe any of these songs themselves to be “dark” in nature, nor about the circumstance that promoted their discovery. In them, I hear deep gratitude, and a compassion toward self that I don’t always possess; an optimism I did not know I’d allowed to flourish. These recordings are raw and wirey and spare because the songs insisted they be. But I believe them to be as wholly realized––as “produced”––as anything I’ve touched, as well as being deeply and fundamentally romantic: in love with life, even when that life founders and threatens to disappear; lustfully aglow, not in spite of the storm but because of one. Come November, then, I will hand this all over—while the sky is bright, and leaves are still turning and descending––the days listing as they grow brisk and shorter. Just in time for Thanksgiving.” - Joe Henry (Pasadena, CA).