The Moonshawl

Ysbryd drwg… the bad ghost Ysobi har Jesith embarks upon a job far from home, where his history isn’t known – a welcome freedom. Hired by Wyva, the phylarch of the Wyvachi tribe, Ysobi goes to Gwyllion to create a spiritual system based upon local folklore, but he soon discovers some of that folklore is out of bounds, taboo... Secrets lurk in the soil of Gwyllion, and the old house Meadow Mynd, home of the Wyvachi leaders. The house and the land are haunted. The fields are soaked in blood and echo with the cries of those who were slaughtered there, almost a century ago. In Gwyllion, the past doesn’t go away, and the hara who live there cling to it, remembering still their human ancestors. Tribal families maintain ancient enmities, inspired by a horrific murder in the past. Old hatreds and a thirst for vengeance have been awoken by the approaching feybraiha – coming of age – of Wvya’s son, Myvyen. If the harling is to survive, Ysobi must help him confront the past, lay the ghosts to rest and scour the tainted soil of malice. But the ysbryd drwg is strong, built of a century of resentment and evil thoughts. Is it too powerful, even for a scholarly hienama with Ysobi’s experience and skill? The Moonshawl, an artefact of protection, was once fashioned to keep Wyvachi heirs from harm, but the threads are old and worn, the magic fading, and its sacred sites – which might empower it once more – are prohibited. Only by understanding what the shawl symbolises and how it once controlled the ysbryd drwg can Ysobi even attempt to prevent the terrible tragedy that looms to engulf the Wyvachi tribe. While part of the Alba Sulh sequence, ‘The Moonshawl’ is a standalone story, set in the world of Storm Constantine’s ground-breaking, science fantasy Wraeththu mythos.