The First Person

In The First Person, an embittered computer programmer working for the police has decided to erase his identity. We do not know why. Leaving his old life behind, the man becomes a private detective in Los Angeles under a new, forged identity. He is hired to find a local gangster's unfaithful wife, but after locating the woman, he falls in love with her. The pair plans to reunite after he returns her and collects his fee, but their plans are short-circuited by her husband, who punishes her cruelly for her betrayals. Devastated, the detective exacts his revenge. But soon, trapped by his manipulations, he slowly falls into a mystic quest that redefines his self-image and world view. WINNER OF THE GOVERNOR-GENERAL'S AWARD FOR FICTION REVIEWS: Antonioni admirers take note – I admit that the most interesting thing I found about this book was the premise; a man, frustrated with his humdrum identity, assumes that of Mark Frechette. Frechette, as the novel reminds us, was the young male actor who starred in Antonioni's ZABRISKIE POINT; he became somewhat of a revolutionary, or at the very least a criminal, after the making of the film, and was involved in bank holdups (sorry, don't recall how many). He defended his actions in radical terms. He was arrested and sent to prison, where he tried to get several social programs going to better the life of inmates; he was a little more outspoken than was safe for him and was eventually found murdered in a weight room. All this is true, and a rather fascinating bit of recent history, particularly in that the making of the film probably had a lot to do with Frechette's choices in later life — life imitating art and all that. It's even more interesting that someone should then, years later, write a novel that has its main character attempting to hide under Frechette's name. The swapping-of-identity theme — man seeking freedom from his former self, while pursued by his family — is also, of course, familiar to Antonioni fans, as a device exploited very effectively in THE PASSENGER. Alas, now that I'm hungry to reexplore it, it's out of print. I *think* other people would find it interesting, tho'… Y'gotta admit, the premise is quite something. Allan MacInnis – Amazon.com. "Pierre Turgeon has made a beautiful book, sparkling on a black background. A flawless prose, whose lyricism remains subdued by a cold and tragic determination, is surrounded by a deadly solitude like the pyramids of Egypt." Jacques Ferron, Livres d'ici. – "The First Person is at the same time a detective novel, a vertiginous descent into the existential void, a hallucinating portrait of what tomorrow's world could be, if tomorrow there is, it seems to me, also a kind of sad poem, a growing economy of language that tends towards silence, inscribing in the sense as a derisory provocation, the very negation of meaning." Réginald Martel, La Presse. About the author: Born in Quebec City, October 9, 1947 - Novelist and essayist, Pierre Turgeon published his first novel, Sweet Poison, when he was only 22 years old. Several works followed, 22 titles in all: novels, essays, plays, film scripts and historical works. He won twice the Governor General's Award (the Canadian Pulitzer Prize) As a publisher, he released more than a thousand authors, amongst which Magaret Atwood, Peter Newman and Jack Higgins. He is also the only Canadian publisher to have one of his books, a biography of Michael Jackson by Ian Halperin, Unmasked, reach the top spot on the New York Times bestseller list. He also authored 16 movie scripts, one of which, The Mighty River, got to be an Oscar finalist.