Iron Serpent

Iron Serpent is a literary fantasy where power is answered not with heroes or revolutions, but with furniture. Set in the river city of Karum, the novel unfolds above an ancient engine known as the Iron Serpent—less a monster than a hinge of iron, fire, and force. Empires send decrees meant to standardize time, bodies, grain, names, and coin. The city responds with ordinary, learnable tools: benches that slow arguments, clocks that forgive haste, bridges that prefer patience to pride, and small rituals that return power to elbow height. Blending myth, political allegory, and civic fable, Iron Serpent reads like a novel but behaves like a manual. Each chapter introduces a decree and answers it with a room, a habit, or an object the hand can understand. Speeches give way to soup. Punishment becomes repair. Authority is not overthrown or worshiped; it is adopted, repurposed, and taught manners. At the heart of the book is a simple grammar—Ask. Answer. Keep. Set Term.—repeated until it reshapes a city. Characters are craftspeople, clerks, musicians, cooks, and neighbors whose quiet inventions make cooperation easier than control. Even the serpent itself is not defeated, but seated, witnessed, and put to work. Iron Serpent is written for readers drawn to thoughtful fantasy, social allegory, and stories where political change emerges through care, maintenance, and shared practice rather than spectacle. It asks what happens when a city refuses to get louder—and learns instead to arrive earlier, slower, and together. This is a work of fiction. Its places and devices are imagined. Its insistence that power should fit the human hand is not.