The Paris Diversion

In this “deliciously twisty” (The Wall Street Journal) thriller with “the most clever plot twist of the year” (The Washington Post), expat Kate Moore discovers that a massive terror attack on Paris is not what it seems—from the New York Times bestselling author of The Doorman. “[The Paris Diversion is] thriller writing at its absolute best . . . with echoes of Graham Greene and John le Carré.”—Jeffery Deaver American expat Kate Moore drops her kids at the international school, makers her rounds of chores, and meets her husband Dexter at their regular café: a leisurely start to a normal day. Across the Siene, tech CEO Hunter Forsyth stands on his balcony, wondering why his police escort just departed, and frustrated that his cell service has cut out. And on the nearby rue de Rivoli, Mahmoud Khalid climbs out of an electrician’s van, elbows his way into the crowded courtyard of the world’s largest museum, and removes his windbreaker. That’s when people start to scream. Kate has less ambitious plans: preparations for tonight’s dinner party—one of those homemaker obligations she still hasn’t embraced, even after a half-decade of this life—and an uneventful workday at the Paris Substation, the clandestine cadre of operatives that she’s been running, not entirely successfully, increasingly convinced that every day could be the last of her career. But every day is also a fresh chance to prove her own relevance, never more so than during today’s momentous events. And Mahmoud? He is planning to die today. And he won’t be the only one.