Some Do Not ...
Some Do Not ...
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Some Do Not ...
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Some Do Not ... opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield. The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he's concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn't free of a thread of hypocrisy: he won't leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war? The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character's subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality. The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford's portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy-called Parade's End-has garnered praise from critics and authors alike, with Anthony Burgess calling it "the finest novel about the First World War" and William Carlos Williams stating that the novels "constitute the English prose masterpiece of their time. " The source for this public-domain ebook is Standard Ebooks (standardebooks.org). Ebooks from other sources often have typos, inconsistent spelling, missing accent marks, and missing punctuation. Ebooks from Standard Ebooks are proofread line by line against a scan of the original printed pages, then proofread again from cover to cover. They are also formatted and typeset following a professional-grade style manual, resulting in new editions supporting state-of-the-art ereader technology: automatic hyphenation, popup footnotes, complete and consistent metadata, high-resolution and scalable vector graphics, and ereader-compatible tables of contents. All of this makes the finished ebooks accurate, functional, and beautiful, a pleasure to read. (Waking Lion Press is not affiliated with or endorsed by Standard Ebooks.)

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9781434110121

Conosci l'autore

Foto di Ford Ford Madox

Ford Ford Madox

1873, Merton (Surrey)

Ford Madox Ford è stato uno scrittore inglese. Figlio del critico musicale tedesco Francis Hueffer e di una inglese, nel 1919 assunse il cognome F. Dopo aver collaborato con Joseph Conrad, fondò e diresse per un anno la «English Review» (1908). Fu scrittore fecondo e versatile, sia in prosa che in poesia. È ricordato soprattutto per il romanzo Il buon soldato (The good soldier, 1915) e per Fine della parata (Parade’s end), saga in 4 parti (1924-28) ripubblicata in un solo volume nel 1950. La narrativa di F., particolarmente attenta alla dimensione «tempo» e ammirevole per la sapienza stilistica, non è mai stata popolare. Vi compare, anche se ancora indefinita, la tecnica del «flusso di coscienza», che ritornerà, assai...

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