1
| Opening | Macmillan Kenneth | Anastasia |
2
| Prelude: The distorting mirror of memory, time and place (1. Akt) | Macmillan Kenneth | Anastasia |
3
| On board the imperial yacht, August 1914 | Macmillan Kenneth | Anastasia |
4
| Anastasia, the Tsar's youngest daughter, joins her three sisters on deck | Macmillan Kenneth | Anastasia |
5
| Anastasia dances with the officers | Macmillan Kenneth | Anastasia |
6
| Others join the dance | Macmillan Kenneth | Anastasia |
7
| Three officers jump into the sea to take a swim | Macmillan Kenneth | Anastasia |
8
| Rasputin with the imperial family | Macmillan Kenneth | Anastasia |
9
| Anastasia's solo | Macmillan Kenneth | Anastasia |
10
| Anastasia and the Tsarina | Macmillan Kenneth | Anastasia |
11
| The women of the imperial court dance | Macmillan Kenneth | Anastasia |
12
| Alexey falls and Rasputin demonstrates his healing powers | Macmillan Kenneth | Anastasia |
13
| The Tsar and Tsarina take Alexey below deck | Macmillan Kenneth | Anastasia |
14
| The three officers return from their swim | Macmillan Kenneth | Anastasia |
15
| Anastasia and her sister Olga lead a dance | Macmillan Kenneth | Anastasia |
16
| The Tsar is handed news of the outbreak of war | Macmillan Kenneth | Anastasia |
17
| The ballroom at the imperial palace (2. Akt) | Macmillan Kenneth | Anastasia |
18
| Anastasia is presented to society | Macmillan Kenneth | Anastasia |
19
| The Tsar's favourite ballerina and her partner dance for the guests | Macmillan Kenneth | Anastasia |
20
| Anastasia is haunted by the ghost of Rasputin | Macmillan Kenneth | Anastasia |
21
| Anastasia is puzzled by the relationships at court | Macmillan Kenneth | Anastasia |
22
| The revolutionaries prepare | Macmillan Kenneth | Anastasia |
23
| The ball is interrupted by the revolution | Macmillan Kenneth | Anastasia |
24
| Past and present intermingle (3. Akt) | Macmillan Kenneth | Anastasia |
25
| Anna Anderson's identity is questioned: is she Anastasia? | Macmillan Kenneth | Anastasia |
26
| Does she imagine or remember her family and the court? | Macmillan Kenneth | Anastasia |
27
| Pas de deux: Anna and her husband | Macmillan Kenneth | Anastasia |
28
| Memories and imagination become ever more frenzied | Macmillan Kenneth | Anastasia |
29
| With Olga; Rasputin interrupts | Macmillan Kenneth | Anastasia |
30
| With her husband; again Rasputin interrupts | Macmillan Kenneth | Anastasia |
31
| She remembers her child | Macmillan Kenneth | Anastasia |
32
| Nurses dispose of the childs body | Macmillan Kenneth | Anastasia |
33
| Anna is comforted by her husband | Macmillan Kenneth | Anastasia |
34
| She exorcizes Rasputin's power over her | Macmillan Kenneth | Anastasia |
35
| Anna Anderson triumphantly alone with the ghosts of the past | Macmillan Kenneth | Anastasia |
36
| Applause and courtain calls | Macmillan Kenneth | Anastasia |
37
| Credits | Macmillan Kenneth | Anastasia |